She has had solo shows at the Mezzanine Gallery, Agilent Technologies Corporate Headquarters, and the Grand Opera House (Wilmington, Delaware), the Arlington Arts Center (Arlington, Virginia) , and the Saint Joseph's University Gallery (Philadelphia). She has also had two-person exhibitions at the Biggs Museum of American Art (Dover, Delaware), the Elkton Station Gallery (Elkton, Maryland) and San Antonio College. She and her husband, Peter Caws, curated an exhibit at the Luther Brady Gallery at the George Washington University, entitled Arresting Images, which opened in November, 2003.
One of her pinhole images was published in fotolog.book (Thames & Hudson, 2006, page 326), and a work on fabric is in the textbook Alternative Photographic Processes by Christopher James (page 115). You can read about her pinhole photography in the summer 2007 issue of the Delmarva Quarterly, in an article titled Nancy Breslin: Life Through a Pinhole, by Janel Atlas, and read an interview with her by Erin Malone in Issue #3 of the online journal Without Lenses. The
UD student paper (the Review) also has a story about the show of Nancy Breslin and Casey Orr's work at San Antonio College, written by Courtney Zantz.
Nancy Breslin's work has been seen in over 40 group shows, including exhibits at the Delaware Center for Contemporary Art, the NJ Center for Visual Arts, the Maryland Federation of Art, Nexus Gallery and Viridian Artists Gallery (NYC), Historic Yellow Springs (PA) and Gallery Imperato (Baltimore). See exhibitions for more information on where her work can be seen.